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You've selected:
Trombone Sight Reading
Sheetmusic to print
64 sheet music found
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1
26
51
Trombone Sight-Reading
Trombone Sight-Reading
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Trombone
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INTERMEDIATE/ADVANCED
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Studies
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Trombone Sight-Reading
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Schott Music - Digital
#
SheetMusicPlus
A Fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Schott Music - Digital #Q21555. Published by Schott Music - Di...
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A Fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Schott Music - Digital #Q21555. Published by Schott Music - Digital
$15.99 ≈
14.92€
Guthrie: Brass Duet Book for Trombone Duo
Guthrie: Brass Duet Book for Trombone Duo
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2 Trombones (duet)
#
INTERMEDIATE/ADVANCED
#
James M
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Guthrie: Brass Duet Book for T
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jmsgu3
#
SheetMusicPlus
Trombone Duet Trombone - Level 4 - SKU: A0.1381023 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Medieval. Score. 36 ...
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Trombone Duet Trombone - Level 4 - SKU: A0.1381023 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Medieval. Score. 36 pages. Jmsgu3 #965740. Published by jmsgu3 (A0.1381023). Brass Duet Book - A book of eight two-voice canons at different intervals. These duets are a valuable resource for sight-reading and can be performed in recitals individually, in small groups, or their entirety. The music may be performed directly from the score or include performance parts.1. Canone alla unisono 2. Canone alla secondo 3. Canone alla tertia 4. Canone alla quarta 5. Canone alla quinta 6. Canone alla diabolus in musica 7. Canone alla tertia minore 8. Canone alla secondo minore.
$27.95 ≈
26.07€
LEARN TO PLAY ALTO TROMBONE, improve sight reading; 100 EASY TUNES and 10 EASY DUETS in Alto Clef
LEARN TO PLAY ALTO TROMBONE, improve sight reading; 100 EASY TUNES and 10 EASY DUETS in Alto Clef
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Trombone
#
EASY
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Various
#
Robert A KEATCH
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LEARN TO PLAY ALTO TROMBONE, i
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PARKLAND PUBLISHING WESTERN AUSTRALIA
#
SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.1108032 By Various. By Various. Arranged by Robert A KEATCH. 20th Century,Children,Christmas,Instructional,Multicultur...
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Trombone Solo - Level 2 - SKU: A0.1108032 By Various. By Various. Arranged by Robert A KEATCH. 20th Century,Children,Christmas,Instructional,Multicultural,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #710649. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1108032). This book is perfect for beginners, those transitioning to Alto Cleff and those seeking to improve their musical skills.This series of books allows any instrument to play-along with any other instrument.Boasting popular tunes like Happy Birthday and For He's A Jolly Good Fellow, it contains an impressive collection of easy-to-learn melodies and duets that make reading and playing the ALTO clef a breeze.Created with ALTO TROMBONE PLAYERS in mind, each page of the book is packed with teaching points, guidance notes for both students and teachers, a chart of note values, the Circle of Fifths for major keys, scales, simple technical exercises, and an alphabetical index of tunes. Perfect collection for teacher-student play-along.Professional musician Keith Walker endorses this book, wishing he had access to it 50 years ago. Its simplicity and versatility make it popular among elementary school instrumentalists, teachers, and Trombonists adding ALTO TROMBONE. This book is an excellent resource for individuals of all ages and classrooms, available in 10 different versions for all Western art musical instruments, allowing for unison or octave play on any instrument.A must-have for beginners of any age.
$9.85 ≈
9.19€
Guthrie: Brass Duet Book for Trombone & Tuba
Guthrie: Brass Duet Book for Trombone & Tuba
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Trombone, Tuba (duet)
#
INTERMEDIATE
#
Contemporary
#
James M
#
Guthrie: Brass Duet Book for T
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Tuba - Level 3 - SKU: A0.547951 Composed by James M. Guthrie. 20th Century,Contemporary. Score and parts. 3...
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Instrumental Duet Instrumental Duet,Trombone,Tuba - Level 3 - SKU: A0.547951 Composed by James M. Guthrie. 20th Century,Contemporary. Score and parts. 36 pages. Jmsgu3 #3089127. Published by jmsgu3 (A0.547951). Guthrie: Brass Duet Book for Trombone & Tuba - A book of eight two-voice canons at different intervals calculated to demonstrate the various sonic landscapes of the brass duo. Score: 18 pages, Duration: 13:13. These duets are a valuable resource for sight-reading and can be performed in recital individually, in small groups, or in their entirety. The music may be performed directly from the score, or from the included performance parts.Contents:
$32.95 ≈
30.74€
Ten Duets for Bass Trombone or Tuba
Ten Duets for Bass Trombone or Tuba
#
Trombone, Tuba (duet)
#
INTERMEDIATE/ADVANCED
#
Lew Gillis
#
Ten Duets for Bass Trombone or
#
Gordon Cherry
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.792354 Composed by Lew Gillis. 20th Century,Contemporary,Instructional. Score and parts. 20 pages. Gordon Cherry #480...
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Brass Ensemble - Level 4 - SKU: A0.792354 Composed by Lew Gillis. 20th Century,Contemporary,Instructional. Score and parts. 20 pages. Gordon Cherry #4806779. Published by Gordon Cherry (A0.792354). The late Lew Gillis wrote these ten duets for Bass Trombone and/or Tuba as a response to the lack of literature for the instruments. They are fun and challenging, fitting well into the range of both Bass Trombone and Tuba. Each of these advanced level duets are about a minute or two in length, handwritten and make excellent sight reading exercises.
$17.50 ≈
16.32€
Ten Duets for Bass Trombone or Tuba
Ten Duets for Bass Trombone or Tuba
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Trombone, Tuba (duet)
#
ADVANCED
#
Contemporary
#
Gillis, Lew
#
Gillis, Lew
#
Ten Duets for Bass Trombone or
#
Gordon Cherry
#
SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792376 Composed by Gillis, Lew. Arranged by Gillis, Lew. 20th Century,Contemporary. Score and parts. 20 pages. Gordon...
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Brass Ensemble - Level 5 - SKU: A0.792376 Composed by Gillis, Lew. Arranged by Gillis, Lew. 20th Century,Contemporary. Score and parts. 20 pages. Gordon Cherry #4820049. Published by Gordon Cherry (A0.792376). The late Lew Gillis wrote these ten duets for Bass Trombone and/or Tuba as a response to the lack of literature for the instruments. They are fun and challenging, fitting well into the range of both Bass Trombone and Tuba. Each of these advanced level duets are about a minute or two in length, handwritten and make excellent sight reading exercises.
$17.50 ≈
16.32€
Ten More Duets for Bass Trombone or Tuba
Ten More Duets for Bass Trombone or Tuba
#
Trombone, Tuba (duet)
#
ADVANCED
#
Lew Gillis
#
Ten More Duets for Bass Trombo
#
Gordon Cherry
#
SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792479 Composed by Lew Gillis. 20th Century,Contemporary,Instructional. Score and parts. 23 pages. Gordon Cherry #498...
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Brass Ensemble - Level 5 - SKU: A0.792479 Composed by Lew Gillis. 20th Century,Contemporary,Instructional. Score and parts. 23 pages. Gordon Cherry #4988233. Published by Gordon Cherry (A0.792479). The late Lew Gillis wrote this Volume 2 of Ten More Duets for Bass Trombone and/or Tuba (or in combination) as a response to the lack of literature for the instruments. They are fun and challenging, fitting well into the range of both Bass Trombone and Tuba. Each of these advanced level duets are about a minute or two in length, handwritten and make excellent sight reading exercises. Distributed by Cherry Classics Music for Virgo Music Publishers.
$17.50 ≈
16.32€
Amazing Grace (Trumpet and Trombone Duet with Piano Accompaniment)
Amazing Grace (Trumpet and Trombone Duet with Piano Accompaniment)
#
Trumpet, Trombone (duet)
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EASY
#
John Newton
#
B
#
Amazing Grace
#
Ben Dockery
#
SheetMusicPlus
Instrumental Duet,Piano B-Flat Trumpet,B-Flat trombone,Instrumental Duet,Piano - Level 2 - SKU: A0.969460 Composed by John Newton. Arranged by B. C. Doc...
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Instrumental Duet,Piano B-Flat Trumpet,B-Flat trombone,Instrumental Duet,Piano - Level 2 - SKU: A0.969460 Composed by John Newton. Arranged by B. C. Dockery. Celtic,Easter,Irish,Sacred,Spiritual,Traditional. Score and parts. 5 pages. Ben Dockery #575153. Published by Ben Dockery (A0.969460). Arranged for trumpet and trombone duet with optional piano accompaniment. Great for lessons, repertoire, sight-reading, and recitals. It also works well in church services as a prelude, postlude, or offertory. Early intermediate level. Includes score and parts.
$4.99 ≈
4.65€
Moonlight Sonata for Brass Quartet - trumpet, french horn, trombone and tuba
Moonlight Sonata for Brass Quartet - trumpet, french horn, trombone and tuba
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Classical
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Ludwig van Beethoven
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Ivan de Andrade
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Moonlight Sonata for Brass Qua
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Finesse Music
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.487334 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissanc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.487334 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissance,Traditional,Wedding. Score and parts. 16 pages. Finesse Music #104909. Published by Finesse Music (A0.487334). First movement of Sonata 14 (Adagio Sostenuto). Formatted for A4 or tablet. Concert key of C minor. Articulation, fingering and specific marking for each instrument are notated. Clean layout and proper page turns for better sight reading. Check out the video to see the entire arrangement + sheet music and leave a review!
$9.99 ≈
9.32€
Melodious Duets to Rochut Bordogni Etudes for Alto and Tenor Trombones Book 1 complete
Melodious Duets to Rochut Bordogni Etudes for Alto and Tenor Trombones Book 1 complete
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2 Trombones (duet)
#
ADVANCED
#
Opera
#
Classical
#
Ritt, David
#
Melodious Duets to Rochut Bord
#
Gordon Cherry
#
SheetMusicPlus
Trombone Duet Trombone - Level 5 - SKU: A0.810962 Composed by Ritt, David. Classical,Opera,Romantic Period. Score. 181 pages. Gordon Cherry #4278813. Pu...
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Trombone Duet Trombone - Level 5 - SKU: A0.810962 Composed by Ritt, David. Classical,Opera,Romantic Period. Score. 181 pages. Gordon Cherry #4278813. Published by Gordon Cherry (A0.810962). • The Rochut/Bordogni Melodious Etudes for Trombone have enjoyed immense popularity over the years. • If you play the Trombone, or any brass instrument for that matter, you most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room. • David Ritt has composed accompaniments to Etudes 1-60 of Book I Melodious Etudes by Rochut as duets for Alto Trombone and Tenor Trombone (the Alto part is up a perfect 4th from the original). • Performed as duets (both parts on the same page) they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing as well as improving intonation, rhythm, style and getting to know the Alto Trombone. • Book I complete for Alto and Tenor Trombone includes all Etudes 1-60 from the vocalises from Book I of the Rochut Melodious Etudes and are now available as a download only version of 189 pages. • Beautifully engraved, these accompaniments are perfectly suited for advanced performers. • This edition includes both the Alto and Tenor parts together on the same page for easy reading and is only available as a download.
$42.50 ≈
39.65€
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Trombone
#
INTERMEDIATE
#
Opera
#
Classical
#
Tom Ervin
#
Marco Bordogni
#
20 Counterparts from Book 1 Ro
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual pa...
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Trombone Solo - Level 3 - SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00 ≈
23.32€
Josquin: Bicinium 2 for Trombone Duo
Josquin: Bicinium 2 for Trombone Duo
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2 Trombones (duet)
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BEGINNER
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Josquin des Prez
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James M
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Josquin: Bicinium 2 for Trombo
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jmsgu3
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SheetMusicPlus
Trombone Duet Trombone - Level 1 - SKU: A0.550283 Composed by Josquin des Prez. Arranged by James M. Guthrie. Concert,Instructional,Renaissance,Sacred,S...
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Trombone Duet Trombone - Level 1 - SKU: A0.550283 Composed by Josquin des Prez. Arranged by James M. Guthrie. Concert,Instructional,Renaissance,Sacred,Standards. Score. 3 pages. Jmsgu3 #4604135. Published by jmsgu3 (A0.550283). Easy music for sightreading. Great for meditation music. Duration: ca 2:00.
$19.95 ≈
18.61€
Josquin: Bicinium 1 for Trombone Duo
Josquin: Bicinium 1 for Trombone Duo
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2 Trombones (duet)
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BEGINNER
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Josquin des Prez
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James M
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Josquin: Bicinium 1 for Trombo
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jmsgu3
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SheetMusicPlus
Trombone Duet Trombone - Level 1 - SKU: A0.550262 Composed by Josquin des Prez. Arranged by James M. Guthrie. Concert,Instructional,Renaissance,Sacred,S...
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Trombone Duet Trombone - Level 1 - SKU: A0.550262 Composed by Josquin des Prez. Arranged by James M. Guthrie. Concert,Instructional,Renaissance,Sacred,Standards. Score. 3 pages. Jmsgu3 #4603927. Published by jmsgu3 (A0.550262). Easy music for sightreading. Great for meditation music. Duration: ca 2:30.
$19.95 ≈
18.61€
Josquin: Bicinium 3 for Trombone Duo
Josquin: Bicinium 3 for Trombone Duo
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2 Trombones (duet)
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BEGINNER
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Josquin des Prez
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James M
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Josquin: Bicinium 3 for Trombo
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jmsgu3
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SheetMusicPlus
Trombone Duet Trombone - Level 1 - SKU: A0.550305 Composed by Josquin des Prez. Arranged by James M. Guthrie. Concert,Instructional,Renaissance,Sacred,S...
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Trombone Duet Trombone - Level 1 - SKU: A0.550305 Composed by Josquin des Prez. Arranged by James M. Guthrie. Concert,Instructional,Renaissance,Sacred,Standards. Score. 2 pages. Jmsgu3 #4604613. Published by jmsgu3 (A0.550305). Easy music for sightreading. Great for meditation.
$19.95 ≈
18.61€
Josquin: Five Duets for Trombone Duo
Josquin: Five Duets for Trombone Duo
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2 Trombones (duet)
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BEGINNER
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Josquin des Prez
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James M
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Josquin: Five Duets for Trombo
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jmsgu3
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SheetMusicPlus
Trombone Duet Trombone - Level 1 - SKU: A0.550334 Composed by Josquin des Prez. Arranged by James M. Guthrie. Instructional,Renaissance,Sacred,Standards...
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Trombone Duet Trombone - Level 1 - SKU: A0.550334 Composed by Josquin des Prez. Arranged by James M. Guthrie. Instructional,Renaissance,Sacred,Standards. Score. 11 pages. Jmsgu3 #4608011. Published by jmsgu3 (A0.550334). Five Duets, Duration: ca. 8:00. Great music for sightreading.Josquin des Prez (1450-1521) was a French-Flemish composer who lived during the Renaissance period. His chamber music was influential in the development of modern tonality and musical genres. Josquin's compositions encompassed both secular and sacred works, including chansons and Italian frottola. He is widely regarded as one of the greatest composers of the Renaissance and was among the first to use innovations such as multiple voices and counterpoint. His achievements as a musical magician-mathematician remain stunning even centuries after his death. The importance of Josquin des Prez's chamber music lies in its influence on the development of modern music and its enduring legacy as a masterpiece of the Renaissance period.
$29.95 ≈
27.94€
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00 ≈
9.33€
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00 ≈
9.33€
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.33€
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Trombone Sight Reading
